Traditional Games of India
Parampadam, also known as Moksha Patam, Vaikunthapali, Gyan Chaupar, and later Snakes and Ladders,
is an ancient Indian board game that teaches moral and spiritual ideas through play. In the traditional
form, ladders represent virtues that raise the soul, while snakes represent vices that pull it downward
on the journey toward moksha, or liberation.
Parampadam, Moksha Patam, Vaikunthapali, Gyan Chaupar, Snakes and Ladders
Traditional moral and spiritual board game
Virtue lifts, vice pulls down
Parampadam is the original Indian form of the modern game now widely known as Snakes and Ladders. Traditional
boards presented life as a moral journey, where progress and downfall reflected karma, discipline, and inner qualities.
The final square symbolizes moksha, meaning liberation from the cycle of birth and death. Older boards could be
more complex than modern 100-square sets and often included named squares linked to virtues, vices, and theological ideas.
Gyan Chaupar or Moksha Patam was played in medieval India and Nepal, where it functioned not only as entertainment
but also as a teaching tool about moral conduct and spiritual ascent. Traditional boards explicitly mapped ideas such
as virtue, vice, karma, and liberation.
The game later traveled to Britain, where it was transformed into the modern race game Snakes and Ladders. Around 1832,
Captain Henry Dundas Robertson presented a version called the “Shastree’s Game of Heaven and Hell” to the Royal Asiatic Society,
showing an early stage in this transmission.



The first player to reach the final square with the required exact roll wins. In the traditional interpretation,
this is not just a race victory but a symbolic attainment of moksha.
Traditional boards used ladders to represent virtues such as generosity, humility, truth, faith, and knowledge,
while snakes represented greed, pride, anger, violence, delusion, and other faults. This structure turned the game
into a lesson in karma and character.
Many older boards had more snakes than ladders, emphasizing that the path to liberation is difficult and requires
vigilance. The game taught that setbacks and rises are linked to conduct, not only luck.
A player landing at the base of a ladder immediately rises to its top, symbolizing uplift through virtue. A player
landing on a snake’s head falls to a lower square, reflecting regression caused by vice or lack of awareness.
Near the end of the board, the exact-roll rule adds tension and reinforces the idea that liberation requires precision,
patience, and disciplined progress rather than careless advance.
| Variant | Typical Form | Main Character |
|---|---|---|
| 72-Square Gyan Chaupar | Cloth or paper board with dense symbolic mapping | High philosophical density |
| 84-Square Jain Variant | Regional form with Jain cosmological ideas | Strong moral and spiritual emphasis |
| 100-Square Moksha Patam | Most familiar form and basis for modern editions | Simplified virtues and vices leading to final liberation |
Parampadam is an important example of how play was used in India to teach ethics, self-reflection, and philosophical ideas.
It encourages discussion of duty, conduct, consequence, and the difficulty of inner discipline in everyday life.
Even today, it can be used in classrooms to introduce children to Indian thought through a familiar game structure.
Parampadam embodies a distinctly Indian idea of learning through symbolic play. By turning ladders and snakes into moral
metaphors, it transforms a simple board game into a reflection on samsara, karma, and the aspiration for moksha.